zero nuclear weapons
Zero Nukes is an inflatable sculpture created as part of the Amnesia Atómica project, promoted by the Bulletin of the Atomic Scientists, a non-profit association created more than 70 years ago, in the aftermath of the bombs on Hiroshima and Nagasaki, to spread awareness relating to technologies that are potentially lethal to humankind + ---->
How Local Governments Are Transforming Green Building Policies — and How to Prepare
Pritzker Architecture 2022
Diébédo Francis Kére
Diébédo Francis Kéré, architect, educator and social activist, has been selected as the 2022 Pritzker Architecture Prize Laureate, announced Tom Pritzker, president of The Hyatt Foundation, which sponsors the prize that is regarded internationally as the --->
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About Studio Libeskind
Studio Libeskind is an international architecture practice headquartered in New York City.
The Studio is involved in designing and realizing a diverse array of urban, cultural and commercial projects internationally. The Studio has completed buildings that range from museums and concert halls to convention centers, university buildings, hotels, shopping centers and residential towers.
The Studio is involved in designing and realizing a diverse array of urban, cultural and commercial projects internationally. The Studio has completed buildings that range from museums and concert halls to convention centers, university buildings, hotels, shopping centers and residential towers.
Daniel and his partner Nina Libeskind established Studio Daniel Libeskind in Berlin, Germany, in 1989 after winning the competition to build the Jewish Museum Berlin. In February 2003, Studio Daniel Libeskind moved its headquarters from Berlin to New York City when Studio Libeskind was selected as the master planner for the World Trade Center redevelopment.
Designed by Diller Scofidio + Renfro in collaboration with FXCollaborative
Columbia Business School
Columbia Business School’s new home spans approximately 492,000 square feet across two buildings that reflect the fast-paced, high-tech, and highly social character of business in the 21st century. The two new facilities, Henry R. Kravis Hall and David Geffen Hall, double the School’s current square footage, creating multifunctional spaces that foster a sense of community—spaces where students, faculty, alumni, and practitioners can gather to exchange ideas. The design of both buildings recognizes that creativity, innovation, and communication—skills often nurtured in informal environments—are as crucial to business school pedagogy as the traditional, quantitative skills taught in a classroom. The building organization shuffles alternating floors of faculty offices with student learning spaces in the eleven-story Kravis Hall and floors for administrative offices and learning spaces in the eight-story Geffen Hall. The shuffled program is expressed in each building’s façade with systems tailored to the populations and uses. The school’s internal spaces are organized around intersecting networks of circulation and collaborative learning environments that extend up vertically through each building, linking spaces of teaching, socializing, and studying, to create a continuous space of learning and interaction that remains vibrant 24 hours a day.
